MurphOnMillerAve wrote:Rachmaninoff's "Second Piano Concerto" and his "Rhapsody on a Theme by Pagannini" can move me like that, which I have no shame in admitting, and not a single note is sung.
The Russian composers put a lot of passion into their compositions.
However, Rachmaninoff does not do it for me. "Rachmaninoff's Second Piano Concerto" written in Russia, sounds like a prelude to the Russion Revolution, it leaves me feeling agitated.
Rachmaninoff's "Rhapsody on a Theme by Pagannini" is delightful. Listening is to the ears like going for a drive is for your eyes... enjoying scene after scene as the view continuously unfolds. I especially like variation 18 where Pagannini's Caprice is played slowly upside down in D-flat major... ah!
I am in love with the way Valentina Lisitsa plays the Russian composers. Here she claims Rhapsody on a Theme by Pagannini is as easy as playing Chop Sticks... anyone can do it.
https://youtu.be/JoqSntXpcSk
I can't explain why Liszt's Totentanz played on a old out-of-tune upright Valentina found while waiting for the train at St Pancras Station, London does do it to me. Maybe because I feel empathy for the piano... Valentina gives the piano a heart attack playing this piece.
https://youtu.be/1NZpPg_9N90
(Liszt was Hungarian, not Russian.)